Poems of the Decade

  1. Poems of the Decade

Eat Me - Patience Agbadi

The Chainsaw vs the Pampas Grass - Simon Armitage

Material - Ros Barber

History - John Burnside

An Easy Passage - Julia Copus

Once she is halfway up there, crouched in her bikini
on the porch roof of her family's house, trembling,
she knows that the one thing she must not do is to think
of the narrow windowsill, the sharp
drop of the stairwell; she must keep her mind
on the friend with whom she is half in love
and who is waiting for her on the blond
gravel somewhere beneath her, keep her mind
on her and on the fact of the open window
the flimsy, hole-punched, aluminium lever
towards which in a moment she will reach
with the length of her whole body, leaning in
to the warm flank of the house. But first she
steadies herself, still crouching, the grains of the asphalt
hot beneath her toes and fingertips,
a square of petrified beach. Her tiny breasts
rest lightly on her thighs. – What can she know
of the way the world admits us less and less
the more we grow? For now both girls seem
lit, as if from within, their hair and the gold stud
earrings in the first one's ears; for now the long, grey
eye of the street, and far away from the mother
who does not trust her daughter with a key,
the workers about their business in the drab
electroplating factory over the road,
far too, most far, from the flush-faced secretary
who, with her head full of the evening class
she plans to take, or the trip of a lifetime, looks up now
from the stirring omens of the astrology column
at a girl – thirteen if she's a day – standing
in next to nothing in the driveway opposite,
one hand flat against her stomach, one
shielding her eyes to gaze up at a pale calf,
a silver anklet and the five neat shimmering-
oyster-painted toenails of an outstretched foot
which catch the sunlight briefly like the
flash of armaments before
dropping gracefully into the shade of the house.

The Deliverer - Tishani Doshi

The Lammas Hireling - Ian Duhig

After the fair, I’d still a light heart
and a heavy purse, he struck so cheap.
And cattle doted on him: in his time
mine only dropped heifers, fat as cream.
Yields doubled. I grew fond of company
that knew when to shut up. Then one night,
 
disturbed from dreams of my dear late wife,
I hunted down her torn voice to his pale form.
Stock-still in the light from the dark lantern,
stark-naked but for one bloody boot of fox-trap,
I knew him a warlock, a cow with leather horns.
To go into the hare gets you muckle sorrow,
the wisdom runs, muckle care. I levelled
and blew the small hour through his heart.
The moon came out. By its yellow witness
I saw him fur over like a stone mossing.
His lovely head thinned. His top lip gathered.
His eyes rose like bread. I carried him
 
in a sack that grew lighter at every step
and dropped him from a bridge. There was no
splash. Now my herd’s elf-shot. I don’t dream
but spend my nights casting ball from half-crowns
and my days here. Bless me Father for I have sinned.
It has been an hour since my last confession.

To My Nine-Year-Old Self - Helen Dunmore

A Minor role - UA Fanthorpe

The Gun - Vicki Feaver

The Furthest Distances I've Travelled

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